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Resultaat 281 - 300 (van 1799)
Danny van Kolck Circus in Carré
Fotoverslag van tien jaar circus in Theater Carré, Amsterdam.
Non-fictie
Nederlands | Engels | 192 pagina's | B for Books, Maartensdijk | 2011
Gedrukt boek
Gijsbert van der Wal Wendelien Schönfeld
houtsneden
Monografie over de Nederlandse prentkunstenares (1950- ).
Non-fictie
Nederlands | Engels | 129 pagina's | De Weideblik, Varik | 2012
Gedrukt boek
Rein Pol Rein Pol
mijn oeuvre weerspiegelt mijn leven
Monografie van de schilder Rein Pol (1949), noordelijk realist of quasirealist.
Non-fictie
Nederlands | Engels | Duits | 175 pagina's | Art Revisited, Tolbert | 2015
Gedrukt boek
Thomas Schlijper Ik ben Amsterdam
Fotoboek over Amsterdam en de Amsterdammers uit de periode van 2002-2012.
Non-fictie
Nederlands | Engels | 128 pagina's | PixelPerfect Publications, The Hague | 2012
Gedrukt boek
André Stufkens Redder van de tiende muze
Jan de Vaal en het Nederlands Filmmuseum 1946-1987
Portret van Jan de Vaal (1922-2001), verzamelaar, archivist en conservator van films, drijvende kracht achter de oprichting van het Nederlands Filmmuseum en vriend en belangenbehartiger van documentair filmer Joris Ivens.
Non-fictie
Nederlands | Engels | 383 pagina's | IJzer, Utrecht | 2016
Gedrukt boek
Orpheus Institute The dark precursor
Deleuze and artistic research
Deleuze's and Guattari's philosophy in the field of artistic research Gilles Deleuze's intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze's subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze's concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama...
Non-fictie
Engels | 572 pagina's (PDF, 10 MB) | Leuven University Press, Leuven | 2018
E-book
Marius van Dokkum Marius van Dokkum
tekenaar met een verhaal
Overzicht van het werk van kunstenaar Marius van Dokkum (1957): portretten, stillevens en scènes uit het dagelijks leven.
Non-fictie
Nederlands | Engels | Duits | 175 pagina's | Art Revisited, Tolbert | 2015
Gedrukt boek
Maarten Schets Schoonheid
Selectie uit het werk van fotograaf Maarten Schets.
Non-fictie
Nederlands | Engels | 320 pagina's | Uitgeverij Terra, Houten | 2014
Gedrukt boek
Bert Verhoeff Kuiven & kraplappen
women of Spakenburg
Foto's van honderden Spakenburgse vrouwen in klederdracht. De CD bevat verhalen over onderwerpen die niet in beeld te vangen zijn.
Non-fictie
Nederlands | Engels | 124 pagina's | Mets & Schilt, [Amsterdam] | 2009
Gedrukt boek
Orpheus Institute Voices, bodies, practices
performing musical subjectivities
Identity and subjectivity in musical performances. Who is the "I" that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice...
Non-fictie
Engels | PDF, 31 MB | Leuven University Press, Leuven | 2019
E-book
J.P. Puype Arms and armour of knights and landsknechts in the Netherlands Army Museum
Overzicht van meer dan honderd topstukken uit de wapenverzameling van het Nederlands Legermuseum in Delft, uit de periode 1100-1550.
Non-fictie
Engels | Nederlands | 368 pagina's | Eburon Academic Publishers, Delft | 2010
Gedrukt boek
Harry Muskee Back home
1965-2010
Songteksten van de Drentse blueslegende, zanger en tekstschrijver van Cuby & the Blizzards.
Non-fictie
Engels | Nederlands | 128 pagina's | Koninklijke Van Gorcum, Assen | 2011
Gedrukt boek
Joke Frima Joke Frima
schilderijen; 2014-1989; l'univers des simulacres
Overzicht in woord en beeld van het werk van de Nederlandse schilderes (1952- ).
Non-fictie
Nederlands | Engels | Frans | 46 pagina's | Art Revisited.com, Tolbert | 2014
Gedrukt boek
Judith van Beukering | Arie Hartog | Elisabeth Lebon | Jan Teeuwisse | Caroline Wynaendts | Charles Despiau Charles Despiau
sculpteur mal-aimé
Leven en werk van de Franse beeldhouwer (1874-1946).
Non-fictie
Nederlands | Engels | 224 pagina's | Waanders Uitgevers, [Wezep] | 2013
Gedrukt boek
Steven Vande Moortele Two-dimensional sonata form
form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form...
Non-fictie
Engels | 220 pagina's (PDF, 6,8 MB) | Leuven University Press, Leuven | 2017
E-book
Paul Craenen Composing under the skin
the music-making body at the composer's desk
A revealing study of the physical presence of the musician in musical performance. Fingers slipping over guitar strings, the tap of a bow against the body of a cello, a pianist humming along to the music: contemporary composers often work with parasitic, non-conventional sounds such as these. Are they to be perceived as musical elements or do they shift attention to the physical effort of music-making, contact between a body and an instrument? Composer Paul Craenen explores ways in which the musician's...
Non-fictie
Engels | 288 pagina's (PDF, 2,9 MB) | Leuven University Press, Leuven | 2017
E-book
Unfolding time
studies in temporality in twentieth century music
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations...
Non-fictie
Engels | 198 pagina's (PDF, 12 MB) | Leuven University Press, Leuven | 2017
E-book
Thomas Christensen Partimento and continuo playing in theory and in practice
This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation'. Hence the point of departure was not 'Music Theory' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions...
Non-fictie
Engels | 136 pagina's (PDF, 4,3 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Thomas Christensen Towards tonality
aspects of baroque music theory
This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era. Bron: Flaptekst, uitgeversinformatie
Non-fictie
Engels | Frans | 205 pagina's (PDF, 17 MB) | Leuven University Press, Leuven | 2017
E-book
New paths
aspects of music theory and aesthetics in the age of romanticism
New Paths, the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that Beethoven's op.47 not only should...
Non-fictie
Engels | 200 pagina's (PDF, 6,7 MB) | Leuven University Press, Leuven | 2017
E-book