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John Kennedy O'Connor Het Eurovisie Song Festival
50 jaar Eurovision Songfestival, officiële boek
Overzicht van vijftig jaar Eurovisie Songfestival in woord en beeld.
Non-fictie
Nederlands | 192 pagina's | Kosmos-Z&K, Utrecht [etc.] | 2005
Gedrukt boek
Orpheus Institute Sensorial aesthetics in music practices
The Western history of aesthetics is characterised by tension between theory and practice. Musicians listen, play, and then listen more profoundly in order to play differently, adapt the body, and sense the environment. They become deeply involved in the sensorial qualities of music practice. Artistic practice refers to the original meaning of aesthetics-the senses. Whereas Baumgarten and Goethe explored the relationship between sensibility and reason, sensation and thinking, later philosophers of...
Non-fictie
Engels | PDF, 24 MB | Leuven University Press, Leuven | 2019
E-book
Christopher Sandford McCartney
Biografie van de Britse popzanger (1942- ).
Non-fictie
Nederlands | 392 pagina's | Spectrum, Utrecht | 2006
Gedrukt boek
P.W. Sijnke | Marcel Koopman 50 jaar Kralingen
Holland Pop Festival 1970
Het legendarische popfestival in Kralingen (1970) in woord en beeld.
Non-fictie
Nederlands | 160 pagina's | In de Knipscheer, Haarlem | 2020
Gedrukt boek
Ramses Shaffy Zing, vecht, huil, bid, lach, werk en bewonder
Liedteksten uit het repertoire van de Nederlandse cabaretier (1933- ), hoofdzakelijk door hemzelf geschreven.
Non-fictie
Nederlands | 299 pagina's | Nijgh & Van Ditmar, Amsterdam | 2003
Gedrukt boek
Piet Schreuders | Mark Lewisohn | Adam Smith Het Londen van the Beatles
een gids met 467 Beatleslocaties in en om Londen
Non-fictie
Nederlands | 234 pagina's | Nijgh & Van Ditmar, Amsterdam | 2008
Gedrukt boek
Frédéric Tonnon | Marisa Garau ABBA
on speaking terms
Informatie in woord en beeld over de Zweedse popgroep en zijn leden.
Non-fictie
Nederlands | 224 pagina's | The House of Books, Vianen [etc.] | 2002
Gedrukt boek
Max van den Broek | Theo van den Hoek North Sea Jazz Festival
de Haagse jaren, volgens Theo van den Hoek
Een blik achter de schermen van het jaarlijkse North Sea Jazzfestival vanaf de beginjaren (1976) in het Haagse Congresgebouw tot aan de verhuizing naar Ahoy Rotterdam in 2005, met speciale aandacht voor de soms vermakelijke eisen van de artiesten en de overwegingen die uiteindelijk hebben geleid tot de verhuizing.
Non-fictie
Nederlands | 133 pagina's | Uitgeverij Aspekt, Soesterberg | 2020
Gedrukt boek
Yves Knockaert Wolfgang Rihm, a chiffre
the 1980s and beyond
Wolfgang Rihm ( b. Karlsruhe, 1952) is the most performed living German composer. With his personal, expressive, and versatile music, he became the most prominent representative of his generation. His individual approach to music was established in the 1980s and he continues to explore and enlarge his original concepts today. His 1980s work is at the core of this book, more specifically his instrumental music: the Chiffre cycle and the string quartets. Thinking about Rihm includes reflecting on his...
Non-fictie
Engels | PDF, 3 MB | Leuven University Press, Leuven | 2018
E-book
Orpheus Institute Artistic research in music: discipline and resistance
artists and researchers at the Orpheus Institute
The Orpheus Institute celebrates 20 years of artistic research in music. Artistic research in music is now at a generational stage of development. How should it deal with its own maturing? From a kaleidoscope of individual pursuits, ethos and methodologies have emerged to encompass more distributed approaches. This transformation has taken place in parallel with changes in the dynamics and structures of culture, its institutions and constituencies. Artistic research maintains a productive dialectic...
Non-fictie
Engels | 316 pagina's (PDF, 5 MB) | Leuven University Press, Leuven | 2018
E-book
Tara McAdams Elvis the King
Portret in woord en beeld van Elvis Presley (1935-1977).
Non-fictie
Nederlands | 431 pagina's | Tirion, Baarn | 2004
Gedrukt boek
Tom Wouters Lonesome Angel & andere rockverhalen
Verzameling van zesenvijftig verhalen over bekende en minder bekende rocksterren uit de Verenigde Staten, Europa en Australië.
Non-fictie
Nederlands | 117 pagina's | Boekscout, Soest | 2023
Gedrukt boek
Orpheus Institute The dark precursor
Deleuze and artistic research
Deleuze's and Guattari's philosophy in the field of artistic research Gilles Deleuze's intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze's subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze's concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama...
Non-fictie
Engels | 572 pagina's (PDF, 10 MB) | Leuven University Press, Leuven | 2018
E-book
Orpheus Institute Voices, bodies, practices
performing musical subjectivities
Identity and subjectivity in musical performances. Who is the "I" that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice...
Non-fictie
Engels | PDF, 31 MB | Leuven University Press, Leuven | 2019
E-book
Paul Craenen Composing under the skin
the music-making body at the composer's desk
A revealing study of the physical presence of the musician in musical performance. Fingers slipping over guitar strings, the tap of a bow against the body of a cello, a pianist humming along to the music: contemporary composers often work with parasitic, non-conventional sounds such as these. Are they to be perceived as musical elements or do they shift attention to the physical effort of music-making, contact between a body and an instrument? Composer Paul Craenen explores ways in which the musician's...
Non-fictie
Engels | 288 pagina's (PDF, 2,9 MB) | Leuven University Press, Leuven | 2017
E-book
Unfolding time
studies in temporality in twentieth century music
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations...
Non-fictie
Engels | 198 pagina's (PDF, 12 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute | Thomas Christensen Partimento and continuo playing in theory and in practice
This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation'. Hence the point of departure was not 'Music Theory' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions...
Non-fictie
Engels | 136 pagina's (PDF, 4,3 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Orpheus Institute | Thomas Christensen Towards tonality
aspects of baroque music theory
This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era. Bron: Flaptekst, uitgeversinformatie
Non-fictie
Engels | Frans | 205 pagina's (PDF, 17 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute Artistic experimentation in music
an anthology
Essential reading for anyone interested in artistic research applied to music. This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus...
Non-fictie
Engels | 416 pagina's (PDF, 5 MB) | Leuven University Press, Leuven | 2017
E-book
New paths
aspects of music theory and aesthetics in the age of romanticism
New Paths, the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that Beethoven's op.47 not only should...
Non-fictie
Engels | 200 pagina's (PDF, 6,7 MB) | Leuven University Press, Leuven | 2017
E-book