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Resultaat 721 - 740 (van 761)
Marianne Van Kerkhoven | Anoek Nuyens Listen to the bloody machine
creating Kris Verdonck's END
Non-fictie
Engels | 320 pagina's | Utrecht School of the Arts, Utrecht | 2012
Gedrukt boek
Belén Vidal Figuring the past
period film and the mannerist aesthetic
Non-fictie
Engels | 256 pagina's | Amsterdam University Press, Amsterdam | 2012
Gedrukt boek
Bastard or playmate?
adapting theatre, mutating media and contemporary performing arts
Non-fictie
Engels | 264 pagina's | Amsterdam University Press, Amsterdam | 2012
Gedrukt boek
Films that work
industrial film and the productivity of media
The history of industrial films. At its height, at the 20th-century, the industrial film industry employed thousands, produced several trade journals and festival circuits, engaged with giants of twentieth-century industry like Shell and AT & T, and featured the talents of iconic actors and directors such as Buster Keaton, John Grierson and Alain Resnais. Exploring the potential of the industrial film to uncover renewed and unexplored areas of media studies, and new possibilities in considering the...
Non-fictie
Engels | 491 pagina's | Amsterdam University Press, Amsterdam | 2009
Gedrukt boek
Tjitte de Vries | Ati Mul "They Thought it was a Marvel"
Arthur Melbourne-Cooper (1874-1961); pioneer of puppet animation
Non-fictie
Engels | 576 pagina's | Pallas Publications, Amsterdam University Press, [Amsterdam] | 2009
Gedrukt boek
Ton Kurstjens The clown, from heart to heart
Non-fictie
Engels | 208 pagina's | Ton Kurstjens Clownerie, Nijmegen | 2010
Gedrukt boek
Mass theatre in interwar Europe. Flanders and the Netherlands in an international perspective
In many European countries mass theatre was a widespread expression of ‘community art’ which became increasingly popular shortly before the First World War. From Max Reinhardt’s lavish open-air spectacles to socialist workers’ Laienspiel (lay theatre), theatre visionaries focused on ever larger groups for entertainment as well as political agitation. Despite wide research on the Soviet and German cases, examples from the Low Countries have hardly been examined. However, mass plays...
Non-fictie
Engels | 164 pagina's | Leuven University Press, Leuven | 2014
Gedrukt boek
Dennis de Groot Bare essentials
Non-fictie
Engels | Lebowski Archievers, Amsterdam | 2011
Gedrukt boek
Subjectivity
filmic representation and the spectator's experience
Non-fictie
Engels | 272 pagina's | Amsterdam University Press, Amsterdam | 2011
Gedrukt boek
Netherlands Society of Cinematographers Shooting time
cinematographers on cinematography
Non-fictie
Engels | 18 pagina's | Post Editions, Rotterdam | 2012
Gedrukt boek
Imar O. de Vries Tantalisingly close
an archaeology of communication desires in discourses of mobile wireless media
Non-fictie
Engels | 214 pagina's | Amsterdam University Press, Amsterdam | 2012
Gedrukt boek
Nanna Verhoeff Mobile screens
the visual regime of navigation
Non-fictie
Engels | 212 pagina's | Amsterdam University Press, Amsterdam | 2012
Gedrukt boek
Giovanna Fossati From grain to pixel
the archival life of film in transition
Film is in a state of rapid change; analog film is replaced by digital film. Research has been undertaken into the possibilities for the digital preservation and restoration of films. The author is the first to try to bring together film scholars, archivists and laboratory technicians in this process. Film archives and laboratories are struggling with such new questions and with questions concerning their own role. For example, if you are restoring a film, may you update it using your own insights...
Non-fictie
Engels | 320 pagina's | Amsterdam University Press, Amsterdam | 2009
Gedrukt boek
Lectoraat Kunstpraktijk en artistieke ontwikkeling Na(ar) het theater-after theatre?
supplements to the international conference on postdramatic theatre
Non-fictie
Engels | 166 pagina's | Amsterdam School of the Arts, Research Group Art Practice and Development, Amsterdam | 2007
Gedrukt boek
Ostrannenie
on "strangeness" and the moving image; the history, reception, and relevance of a concept
Non-fictie
Engels | 278 pagina's | Amsterdam University Press, Amsterdam | 2010
Gedrukt boek
Anat Zanger Film remakes as ritual and disguise
from Carmen to Ripley
Non-fictie
Engels | 158 pagina's | Amsterdam University Press, Amsterdam | 2006
Gedrukt boek
The cinema of attractions reloaded
Non-fictie
Engels | 460 pagina's | Amsterdam University Press, Amsterdam | 2006
Gedrukt boek
Mirko Tobias Schäfer Bastard culture!
how user participation transforms cultural production
New online technologies have brought with them a great promise of freedom. The computer and particularly the Internet have been represented as enabling technologies, turning consumers into users and users into producers. Furthermore, lay people and amateurs have been enthusiastically greeted as heroes of the digital era. This study casts a fresh light on the shaping of user participation in the context of, among others, popular discourse in and around new media. Schäfer's research into hacking,...
Non-fictie
Engels | 249 pagina's | Amsterdam University Press, Amsterdam | 2011
Gedrukt boek
Pietsie Feenstra New mythological figures in Spanish cinema
dissident bodies under Franco
Non-fictie
Engels | 325 pagina's | Amsterdam University Press, Amsterdam | 2011
Gedrukt boek
Alexander Kluge
raw materials for the imagination
Non-fictie
Engels | 434 pagina's | Amsterdam University Press, [Amsterdam] | 2012
Gedrukt boek