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Orpheus Institute Futures of the contemporary
contemporaneity, untimeliness, and artistic research
Futures of the Contemporary explores different notions and manifestations of "the contemporary" in music, visual arts, art theory, and philosophy. In particular, the authors in this collection of essays scrutinise the role of artistic research in critical and creative expressions of contemporaneity. When distinguished from "the contemporaneous" of a given historical time, "the contemporary" becomes a crucial concept, promoting or excluding objects and practices according to their ability to diagnose...
Non-fictie
Engels | PDF, 4,4 MB | Leuven University Press, Leuven | 2019
E-book
Orpheus Institute Sensorial aesthetics in music practices
The Western history of aesthetics is characterised by tension between theory and practice. Musicians listen, play, and then listen more profoundly in order to play differently, adapt the body, and sense the environment. They become deeply involved in the sensorial qualities of music practice. Artistic practice refers to the original meaning of aesthetics-the senses. Whereas Baumgarten and Goethe explored the relationship between sensibility and reason, sensation and thinking, later philosophers of...
Non-fictie
Engels | PDF, 24 MB | Leuven University Press, Leuven | 2019
E-book
Yves Knockaert Wolfgang Rihm, a chiffre
the 1980s and beyond
Wolfgang Rihm ( b. Karlsruhe, 1952) is the most performed living German composer. With his personal, expressive, and versatile music, he became the most prominent representative of his generation. His individual approach to music was established in the 1980s and he continues to explore and enlarge his original concepts today. His 1980s work is at the core of this book, more specifically his instrumental music: the Chiffre cycle and the string quartets. Thinking about Rihm includes reflecting on his...
Non-fictie
Engels | PDF, 3 MB | Leuven University Press, Leuven | 2018
E-book
Orpheus Institute Artistic research in music: discipline and resistance
artists and researchers at the Orpheus Institute
The Orpheus Institute celebrates 20 years of artistic research in music. Artistic research in music is now at a generational stage of development. How should it deal with its own maturing? From a kaleidoscope of individual pursuits, ethos and methodologies have emerged to encompass more distributed approaches. This transformation has taken place in parallel with changes in the dynamics and structures of culture, its institutions and constituencies. Artistic research maintains a productive dialectic...
Non-fictie
Engels | 316 pagina's (PDF, 5 MB) | Leuven University Press, Leuven | 2018
E-book
Wim Hendrikse David Bowie
biografie van een superster
Non-fictie
Nederlands | 340 pagina's | Uitgeverij Aspekt, Soesterberg | 2016
Gedrukt boek
Paul Witteman Het beste van Witteman
honderd stukken over klassieke muziek
Non-fictie
Nederlands | 285 pagina's | Balans, Amsterdam | 2010
Gedrukt boek
Mike Meijer Boem!
over drummen, drums en drummers
De ervaren Nederlandse drummer deelt zijn kennis en ervaring over alles rond drummen en het drumstel.
Non-fictie
Nederlands | 98 pagina's | De Thuisdocent, [Mijdrecht] | 2010
Gedrukt boek
Muziek ervaren
essays over muziek en filosofie
Non-fictie
Nederlands | 213 pagina's | Damon, Budel | 2014
Gedrukt boek
Orpheus Institute The dark precursor
Deleuze and artistic research
Deleuze's and Guattari's philosophy in the field of artistic research Gilles Deleuze's intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze's subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze's concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama...
Non-fictie
Engels | 572 pagina's (PDF, 10 MB) | Leuven University Press, Leuven | 2018
E-book
Eddy De Clercq | Martijn Haas Laat de nacht nooit eindigen
van discothèque tot rave
Autobiografie van Eddy De Clercq, muziekpionier, dj en medeoprichter van club RoXY.
Non-fictie
Nederlands | 287 pagina's | Uitgeverij Bas Lubberhuizen, Amsterdam | 2015
Gedrukt boek
G.J. Bach Govert Jan Bach over Maarten Luther en Johann Sebastian Bach
twee grensverleggers; een hoorcollege vol muziekfragmenten
Het leven en werk van Luther (cd 1) en zijn invloed op het werk van Bach (cd 2), die vaak lutherse gezangen als basis gebruikte (cd 3+4). Met boekje met tekst, afbeeldingen, bibliografie en tracklist.
Non-fictie
Nederlands | 54 pagina's | Rubinstein Publishing, [Amsterdam] | 2017
Gedrukt boek
André Klukhuhn Ongehoorde symfonie
een overzicht van de geschiedenis en de filosofie van de klassieke muziek
Non-fictie
Nederlands | 411 pagina's | Bakker, Amsterdam | 2012
Gedrukt boek
Orpheus Institute Voices, bodies, practices
performing musical subjectivities
Identity and subjectivity in musical performances. Who is the "I" that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice...
Non-fictie
Engels | PDF, 31 MB | Leuven University Press, Leuven | 2019
E-book
J.A. Walburg | Daniel Rowland Een leven in kwartetten
de vijftien kwartetten van Sjostakovitsj
Toelichting op de vijftien strijkkwartetten die Dmitri Sjostakovitsj gedurende zijn leven schreef.
Non-fictie
Nederlands | 132 pagina's | PerformaBoeken, Amsterdam | 2021
Gedrukt boek
Paul McCartney De lyrics
van 1956 tot nu
Alle 154 songteksten van Paul McCartney alfabetisch geordend en voorzien van autobiografisch commentaar.
Non-fictie
Nederlands | 874 pagina's | Spectrum, Amsterdam | 2021
Gedrukt boek
Harry Muskee Back home
1965-2010
Songteksten van de Drentse blueslegende, zanger en tekstschrijver van Cuby & the Blizzards.
Non-fictie
Engels | Nederlands | 128 pagina's | Koninklijke Van Gorcum, Assen | 2011
Gedrukt boek
De legendarische organist Feike Asma
zijn leven, werk en invloed
Leven en werk van de Nederlandse organist Feike Asma (1912-1984).
Non-fictie
Nederlands | 261 pagina's | De Banier, [Apeldoorn] | 2012
Gedrukt boek
New paths
aspects of music theory and aesthetics in the age of romanticism
New Paths, the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that Beethoven's op.47 not only should...
Non-fictie
Engels | 200 pagina's (PDF, 6,7 MB) | Leuven University Press, Leuven | 2017
E-book
Steven Vande Moortele Two-dimensional sonata form
form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form...
Non-fictie
Engels | 220 pagina's (PDF, 6,8 MB) | Leuven University Press, Leuven | 2017
E-book
Paul Craenen Composing under the skin
the music-making body at the composer's desk
A revealing study of the physical presence of the musician in musical performance. Fingers slipping over guitar strings, the tap of a bow against the body of a cello, a pianist humming along to the music: contemporary composers often work with parasitic, non-conventional sounds such as these. Are they to be perceived as musical elements or do they shift attention to the physical effort of music-making, contact between a body and an instrument? Composer Paul Craenen explores ways in which the musician's...
Non-fictie
Engels | 288 pagina's (PDF, 2,9 MB) | Leuven University Press, Leuven | 2017
E-book